Still Life Before I started making photographs, a Still Life meant Cezanne’s apples, or Giorgio Morandi’s bottles and vases: inanimate objects beautifully frozen in time.But while looking through the rangefinder of my camera, another expression

Still Life

Before I started making photographs, a Still Life meant Cezanne’s apples, or Giorgio Morandi’s bottles and vases: inanimate objects beautifully frozen in time.But while looking through the rangefinder of my camera, another expression of a Still Life emerged: one of human figures captured in a moment in time—their moment: to pause, to move, to contemplate, to look, to be. Through the lens of my imagination, these figures suspended in stillness during life’s ephemeral moments embody what it means to simply be alive.

The Crisply-Pressed Uniform of a Shinkansen Conductor

Siracusa
Siracusa
Woman at a Window
Woman at a Window
Cosa vedo nei musei, 2 (What I see in museums, 2)
Cosa vedo nei musei, 2 (What I see in museums, 2)
Cosa vedo nei musei, 1 (What I see in museums, 1)
Cosa vedo nei musei, 1 (What I see in museums, 1)
A conversation one summer
A conversation one summer
Seattle through Steven Holl's Window
Seattle through Steven Holl's Window
Central Park, July
Central Park, July
Paris.
Paris.
Rome.
Rome.
la freccia verde (the green arrow)
la freccia verde (the green arrow)
S P Q R
S P Q R
Porto A
Porto A
Porto B
Porto B
Porto C
Porto C
Silhouette
Silhouette
Pausing on a Landing
Pausing on a Landing
Still Life (with apologies to Giorgio Morandi)
Still Life (with apologies to Giorgio Morandi)
Still Life Before I started making photographs, a Still Life meant Cezanne’s apples, or Giorgio Morandi’s bottles and vases: inanimate objects beautifully frozen in time.But while looking through the rangefinder of my camera, another expression
Siracusa
Woman at a Window
Cosa vedo nei musei, 2 (What I see in museums, 2)
Cosa vedo nei musei, 1 (What I see in museums, 1)
A conversation one summer
Seattle through Steven Holl's Window
Central Park, July
Paris.
Rome.
la freccia verde (the green arrow)
S P Q R
Porto A
Porto B
Porto C
Silhouette
Pausing on a Landing
Still Life (with apologies to Giorgio Morandi)

Still Life

Before I started making photographs, a Still Life meant Cezanne’s apples, or Giorgio Morandi’s bottles and vases: inanimate objects beautifully frozen in time.But while looking through the rangefinder of my camera, another expression of a Still Life emerged: one of human figures captured in a moment in time—their moment: to pause, to move, to contemplate, to look, to be. Through the lens of my imagination, these figures suspended in stillness during life’s ephemeral moments embody what it means to simply be alive.

The Crisply-Pressed Uniform of a Shinkansen Conductor

Siracusa
Woman at a Window
Cosa vedo nei musei, 2 (What I see in museums, 2)
Cosa vedo nei musei, 1 (What I see in museums, 1)
A conversation one summer
Seattle through Steven Holl's Window
Central Park, July
Paris.
Rome.
la freccia verde (the green arrow)
S P Q R
Porto A
Porto B
Porto C
Silhouette
Pausing on a Landing
Still Life (with apologies to Giorgio Morandi)
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